International Journal of Innovation and Entrepreneurship

(ISSN: 2753-6297) Open Access Journal
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IJIE 2023, 2(2), 1; doi: 10.56502/IJIE2020001

Preserving Artistic Legacy: A Frame-Guided Approach for Color Recovery in Aged Tangka Paintings

1 Palace Museum;
2 Adobe Research
* Corresponding author:
* Author to whom correspondence should be addressed.
Received: 23 Sep 2023 / Revised: 17 Oct 2023 / Accepted: 10 Oct 2023 / Published: 13 Oct 2023
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Abstract

Over time, the colors in old Tangka paintings can fade due to various factors, including exposure to light, air pollution, humidity, and dust deposition. Interestingly, the frame acts as a physical barrier between the artwork and its surroundings, offering some protection against the harmful factors that contribute to color fading. In this paper, we propose a novel approach to recover the faded colors of Tangka paintings by leveraging the visual cues provided by the frame-covered area. Our method involves the development of an interactive annotation pipeline and the utilization of histogram matching for color restoration. We applied this approach to faded, aged Tangka paintings in Palace Museum’s collection and achieved visually plausible color recovery, even for intricate patterns that are challenging to restore manually.
Keywords: tangka conservation; color recovery; color space analysis
OPEN ACCESS
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. (CC BY 4.0).
CITE
Liu, S.; Wang, T. Preserving Artistic Legacy: A Frame-Guided Approach for Color Recovery in Aged Tangka Paintings. ijie 2023, 2, 1.
Liu S, Wang T. Preserving Artistic Legacy: A Frame-Guided Approach for Color Recovery in Aged Tangka Paintings. International Journal of Innovation and Entrepreneurship. 2023; 2(2):1.
Liu, Silin; Wang, Tuanfeng. 2023. "Preserving Artistic Legacy: A Frame-Guided Approach for Color Recovery in Aged Tangka Paintings." ijie 2, no. 2: 1.
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